Journeys from the desktop of a traditional animator in the digital age!
"The ANIMATOR'S NOTEBOOK" TUTORIALS!
Click below to download my latest interactive digital tutorials! Just pick the tutorial link of your choice and load it onto your desktop instantly! Each tutorial contains
about 20-30 pages of my personal hand-written notes, with embedded illustrations and related animation clips. A unique and valuable resource for all animators. For beginner to industry
professional/2D to 3D/Cut-out to Stop-frame & Claymation! $9.95 each.
Tony White is a British Academy Award-winning animation director, animator, author, educator and consultant. At the beginning of his career, he studied advanced animation techniques with some of the
finest masters of the art-form. Specifically: Ken Harris (original lead animator of "Bugs Bunny," "Roadrunner," etc.), Art Babbit (original lead animator on "Pinocchio," "Fantasia," etc.) and Richard
Williams (3 times Oscar winner and author of "The Animator's Survival Kit"). Tony is currently animation program director and instructor at the inspirational non-profit, AIE-Seattle (www.theaie.us),
where he is developing a 2-year program that will enable students to enter the industry without the extreme student loan challenges that are common at other animation schools in the USA. Tony is
founder of "Drawassic Age" (www.drawassic.com), a ground-breaking animation studio that seeks to preserve, teach and evolve the art-form of traditional animation in this digital age. Tony's ultimate
dream is to establish a unique atelier-style studio/academy of advanced animation - where his most talented student graduates can gain industry experience through an MFA-level style apprenticeship
with master professional animators, on unique, ground-breaking animated films. To help realize this dream, Drawassic Age is currently producing a short 2D animated teaser for its first intended movie
production "Bad Penguin". (www.badpenguinmovie.com) Tony's current best-selling books include: "The Animator's Workbook"; "Animation from Pencils to Pixels ~ Classical Techniques for Digital
Animators"; "How To Make Animated Films" and "Jumping Through Hoops: The Animation Job Coach". His latest (and Tony believes, his best) animation book, "Animator's Notebook", is to be published in
October 2011 by Focal Press.
'Focal Press' just sent me the cover design for my new book, coming out in September. Hope you like it? I think this might prove to be my best instructional book yet!
Tony. :^{)}=-
Posted by tonymaticus at 4/27/2011 8:14 PM Categories: uncategorized
4/28/2011 12:27 AM
Damian Byrne wrote:
Hi Tony.
I wish you the very best of luck with this, 'animation bible'. I was fortunate to catch you at the ISA Convention in Dublin a few months ago. Of all the stars in the room it was your advice on basic (especially the walk cycle) animation that was most impressive. You reiterated the 'old school' techniques which was to get the fundametals right. Also, acting in out infront of mirrors. Im am a huge fan and advocate of your techniques.
Warmest wishes,
Damian Byrne Reply to this
4/28/2011 6:00 AM
tonymaticus wrote:
Thanks for you kind comments Damian. (Now I'm intrigued about what the 'new school' teaches as opposed to what I like to share with folks!) For me there is only one way of learning - and that way has to be made as simple and accessible as possible - so that producing a good walk (for example) is not the big scary ogre that many people seem to make it. Anyway, glad my approach worked for you. I did learn from the very best of course, so I am very proud to be able to bring the tradition forward into the digital age.
Anyway, 'good luck' with all your future endeavors in animation!
(P.S. If you liked my ISA lecture I think you're going to love the "Animator's Notebook"!)
Hi Tony.
I wish you the very best of luck with this, 'animation bible'. I was fortunate to catch you at the ISA Convention in Dublin a few months ago. Of all the stars in the room it was your advice on basic (especially the walk cycle) animation that was most impressive. You reiterated the 'old school' techniques which was to get the fundametals right. Also, acting in out infront of mirrors. Im am a huge fan and advocate of your techniques.
Warmest wishes,
Damian Byrne
Reply to this
Thanks for you kind comments Damian. (Now I'm intrigued about what the 'new school' teaches as opposed to what I like to share with folks!) For me there is only one way of learning - and that way has to be made as simple and accessible as possible - so that producing a good walk (for example) is not the big scary ogre that many people seem to make it. Anyway, glad my approach worked for you. I did learn from the very best of course, so I am very proud to be able to bring the tradition forward into the digital age.
Reply to this